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Index
to summer schools listed here:
Benslow
Music Trust
Cambridge
Woodwind Makers
Cambridge Early Music
Norvis 2022
Beauchamp
Early Music Week 2022
Baroque Week 2022
HISS 2022
The
23rd Chalemie Summer School
The 2022 Medieval Music in the
Dales Summer School
It
is hoped that all these courses will go ahead live, but
applicants should check with the organisers
in case
restrictions should force cancellation or postponement.
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Benslow
Music Trust
Early Music courses
Online
courses
Click
here to view the
online courses in Lockdown Links
which we hope will be of
interest to you.
If you know of anyone who may be interested
in these courses or events please help
spread the word and
pass this message on.
Benslow are currently exploring the
idea of further online courses and events with
multiple
tutors/artists – so do keep an eye on their website for
further updates.
Benslow Music
Trust, Little Benslow Hills, Benslow Lane, Hitchin, Herts SG4 9RB
Tel:
01462 459 446 (9am-5pm weekdays) Email: info AT benslow.org
Website: www.benslow.org
Live
courses
Our
programme of residential courses is available to view online at
www.benslowmusic.org/courses
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In
East Anglia the leading source of Early Music instruction is the
annual
Cambridge
Early Music Summer Schools
which
normally occupy two weeks in July & August.
In 2022
the
Renaissance Summer School will run from July
16-23 and
will be led by Clare Wilkinson.
The theme is “Mr
Byrd's private music: Music
for recreation and devotion in Byrd's inner circle”.
The
Baroque Summer School will run from July
24-31 and
will be led by Laurence Cummings.
The theme is “The Fairy Queen”.
To
apply, please fill in the online application
form available
on the CEM website.
Director
of the Baroque Summer School
The
distinguished director of the Baroque Summer School, Peter
Holman, has retired.
Laurence
Cummings
is
appointed as the new Baroque Summer School Director
from
Summer 2022 onwards. Laurence Cummings is one of Britain’s
most exciting and versatile
exponents of historical
performance both as conductor and harpsichord player.
He has
been Musical Director of the London Handel Festival since 1999
and Artistic Director of the
Internationale Händel-Festpiele
Göttingen since 2012, as well as acting as Music Director
for
Orquestra Barroca Casa da Musica, Porto.
He is the
William Crotch Professor of Historical Performance at the Royal
Academy of Music.
Donate
to Cambridge Early Music
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Cambridge
Woodwind Makers
“Preservation
through participation”
A large range of courses is
on offer in the new premises in Linton, Cambs.
Instrument
making, repair and maintenance. Classical and Baroque are
covered.
Early booking is recommended as the response has
been heavy.
The
business is open again post-lockdown.
Courses in 2022
include:
Natural
Trumpet Making
with Bob Barclay
July 2022
Baroque
Oboe Making
with Paul van der Linden
August 2022
Modern
& Baroque Oboe Reed Making & Adjustment
with Paul van
der Linden
August 2022
Recorder
Making
with Jacquline Sorel
September 2022
Repair
& Care courses 2022
Oboe
& Bassoon Friday
9th September | £75
Saxophone
Saturday
1st October | £75
Clarinet
Monday
3rd October | £75
Flute
Saturday
8th October | £75
See
the website: www.cambridgewoodwindmakers.org
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Saturday
30 July –
Sunday
6 August 2022
NORVIS 50
Early Music Summer School
Golden
Jubilee Course
For
recorders, viols, lutes, harpsichords,
Baroque strings and
voices.
Barnard Castle School
Newgate, Barnard Castle,
County Durham, DL12 8UN
www.norvis.org.uk
Flyer
page 1
page
2
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Gloucester
Academy of Music – Beauchamp
Beauchamp
Early Music Week will run in 2022, with a new venue.
The
course will take place at Malvern College, located close to
Malvern town centre.
31st July to 6th August
Tutors:
David Hatcher (director) and David Allinson (choral director).
Two other tutors yet to be confirmed.
No
camping on-site. Local campsites located close to the college:
see www.pitchup.com and www.riverside-park.co.uk.
Malvern
College has a discount arrangement with a local hotel,
for
those wishing to find alternative accommodation off-site.
For
any questions that are not covered by the FAQs (see GAM
Adult Early Music Page),
contact Jane Rothery at
janer@glosacadmusic.org or 01594 544 149.
To book, click
here.
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Baroque
Week 2022
14 – 21 August 2022
The course is
already 80% full (mid-January).
Rooms have been reserved for
keyboard players, currently under-represented.
Tenor and bass
soloists required.
For full details go to
www.baroque-week.org.uk
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HISS
2022
22-26 August
Bishop
Burton College, Beverley
United Kingdom
Contact:
hissenquiries@gmail.com
+44
(0)7942 264 305
www.hiss.org.uk
Booking
(Now extended until 30 June)
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Chalemie
2022
11-17 July
This has relocated to Uppingham
School, Rutland and is for singers, dancers, early music
instrumentalists, natural trumpet players, costumiers and
performers from all disciplines. Eight tutors. Most accommodation
is in single en-suite rooms. Full board.
Details from
barbara.segal
<AT> chalemie.co.uk
www.chalemie.co.uk
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The
2022 Medieval Music in the Dales Summer School
6-8
September
The Jonas Centre, Wensleydale
There are two
strands:
recreating medieval music with Stef Conner and Hanna
Marti
ensemble playing with Elisabeth Pawelke
A
residential course in the heart of the Yorkshire Dales
Work
on some of the great texts of the middle ages with three
outstanding musicians,
who are all performing in concert at
this year's Medieval Music in the Dales festival.
More
information and registration here (PDF)
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Cambridge
Early Music
A choral
workshop
led by David Allinson, as part of Cambridge Early Music's weekend
of events
to mark the 350th anniversary of the death of
Heinrich Schütz
St
Catharine's College Chapel, Cambridge
Saturday
5 November, 10.30-17.00
Heinrich Schütz (1585-1672)
was the greatest composer to emerge in German-speaking lands
before J.S. Bach.
While his style is utterly distinctive, his
music fascinatingly combines classical Palestrinian counterpoint
with the latest Italian innovations in texture and harmony,
all overlaid with a vividly expressive Lutheran
attitude to
text. The effect is dramatic, emotional and thoroughly human.
While much of his music demands instruments and soloists,
for this workshop day with David Allinson we will focus
on
the full-textured choral music of the Geistlich
Chormusik
(Op.11),
published in 1648.
The programme, to commemorate the
350th anniversary of Schütz’s death, is crowned by the
astonishing late setting
of the Magnificat,
Meine Seele erhebt den Herren
for
double choir.
Booking
is now open.
Click
here. Ignore any failure message on screen, scroll down and
click on the
panel 'Schütz Choral Workshop' to access
the booking information.
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For
courses in other areas click here
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